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        Yuan's artwork ventures into the realms of psychology, using animals or body parts as symbolic representations that are placed within natural environments but in unconventional, disconcerting forms. Through the depiction of broken, scarred flesh evoking artificial pain, she delve into the depths of the human psyche, unearthing themes of trauma, vulnerability, and the paradoxical allure of discomfort. These distorted images serve as a visual language for her inner subconscious, an exploration of the shadows that reside within her mind.

        Within the canvas, she navigates the delicate interplay between conscious and subconscious realms. While conscious mind often resists the concepts of pain and anxiety, she recognized their intrinsic presence in life. The juxtaposition of shattered flesh alongside thriving plants serves as a psychological equilibrium, a fusion that reconciles the duality of human thoughts and emotions. It is within this convergence that the unsettling violence finds a certain semblance of reason and organic harmony.

        By delving into the depths of the human experience, Yuan's art invites viewers to confront their own psychological landscapes. It is through the exploration of discomfort and the acknowledgment of mortality that we gain a deeper understanding of our own fragility and resilience. These symbolic portrayals encourage introspection, raising questions about the nature of existence, the complexities of the human mind, and the intricate relationship between beauty and darkness.

        In essence, her art becomes a psychological tapestry, weaving together the threads of consciousness and the subconscious, inviting viewers to explore the multifaceted nature of their own inner worlds and to embrace the inherent contradictions that shape our human experience.

    沅的艺术作品涉足心理学领域,使用动物或身体部位作为象征性表征,将其放置在自然环境中,但以非传统的、令人不安的形式。 通过描绘破碎、伤痕累累的肉体,唤起人为的疼痛,深入人类心灵的深处,挖掘创伤、脆弱和不适的矛盾诱惑等主题。 这些扭曲的图像是个人内心潜意识的视觉语言,是她对自我脑海中阴影的探索。

 

        在画布上,她尝试探索意识和潜意识领域之间微妙的相互作用。 虽然自我的意识中经常自动去会抵制和过滤痛苦与焦虑的概念,但它们在人类的心理发展进程中仍然是固有的存在。 破碎的肉体与茂盛的植物并置,形成了一种心理平衡,一种调和我思想和情感二元性的融合。 正是在这种融合中,令人不安的暴力找到了某种理性和有机和谐的外表。

 

        通过深入研究人类体验的深处,沅的艺术作品邀请观众面对自己的心理景观。 通过探索不适和承认死亡,让人类可以更深入地了解自己的脆弱性和韧性。 这些象征性的画作鼓励内省,提出关于存在的本质、人类心灵的复杂性以及美与黑暗之间错综复杂的关系的问题。将意识和潜意识的线索编织在一起,邀请观众探索他们自己内心世界的多面性,并拥抱塑造我们人类经验的内在矛盾。

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